Considering the recent news on the passing of Burt Reynolds, we figured we should do something of a tribute episode. Which is why we choose an Uwe Boll movie to jointly review. In the Name of the King is what happens when someone watches the Lord of the Rings and decides to push their fanfic off as a screenplay.
Jason Statham is the main character who is called Farmer. Not a problem in a universe where other characters have ridiculous names like, say, the Discworld series. Quite a glaring issue within a world where no one else is named after their profession. Ray Liotta is busy trying to capture the ham of Jeremy Irons from Dungeons and Dragons. Burt is busy thinking about the glory days of Gator and Smokey and the Bandit.
Weltall then talks about Sharky’s Machine(1981). It’s about a detective who ends up in a botched drug bust where another cop dies. Disgraced, he gets transferred to vice where he busts a prostitute. She turns out to be part of a high class prostitution ring. This leads him to a crime syndicate who’s using it to blackmail a politician.
Tim then talks about Rent-A-Cop(1987). Burt plays a cop who is part of a drug bust that goes bad and other cops die. Disgraced, he ends up working as a security guard. At least that’s the promise of the synopsis. A prostitute, played by Liza Minnelli, who witnessed the murders tries to enlist him for protection. Things happen and attempts at jokes are made. The only one that lands is that anyone would have paid Liza money for sex in the eighties.
Which is why there can never be peace between East-asia and Oceania. On a brighter note, we will always have manga. Which seems to be in larger supply as it’s getting sent in. This saves us from having to select something and forces our hand in reviews. Mostly because we’re incredibly lazy and gladly take shortcuts.
Tim reviews The Legend of Zelda Twilight Princess. A manga done which appears to cover all the beats of the game. Tim finds it unsettling as Link isn’t a silent protagonist within the manga. Without having played the game, Tim has no reference on how accurate it ends up being. It gets a Borders for being readable and having good artwork.
Weltall then talks about Re-Monster. In what is quickly becoming a nauseating trend, it features a character reborn into an alternate world. Bonus trope points for being something like an MMO where the character is born as a goblin, has stats, and can gain levels. Being as he has a short lifespan as a goblin he has to quickly level up to hopefully escape dying at a few years old. It gets a Read It Now in spite of the well trod ground.
As we’re getting on in episodes, we must be getting crotchety and senile. Today we’re focused on a film from the seventies when men were men and people drove nothing but muscle cars. Smoking was breathing but for cool people who didn’t do pussy things like save for retirement or plan for their future. People who did such things were clearly communist sympathizers that needed to be shipped to Cuba.
Today’s joint review is The Getaway(1972). It stars Steve McQueen who’s character is imprisoned for something and getting denied parole. The only recourse is to have his wife sleep with someone who has th authority to let him out. Even so, this isn’t enough as he has one more job to do before he’s free. It’s a heist movie that turns into an escape film as in the name.
Weltall then talks about Demolition Man(1993). Because there’s nothing quite as amusing as a future envisioned in the nineties that gets almost everything completely wrong. Wesley Snipes is a bad guy who going to cryo-prison along with the cop who arrests him as Snipes blames the death of the hostages on Stallone. They’re woken up in a future seventies years after the nineties where everything has been sterilized into a semi-utopia to wreak havoc.
Tim, unconsciously keeping in line with the theme of police, talks about Maniac Cop(1988). Who it stars is unclear as Bruce Campbell is credited but doesn’t show up to about a third of the way in. A rogue, tall cop is killing people for no reason which leads detectives to find the nearest guy who’s six foot and put him in cuffs. Naturally this doesn’t stop the killings of a possibly supernatural murder who was a disgraced cop.
Do you, like Buzzfeed’s target audience, remember the nineties? Jnco jeans, ska band music, the discontinuation of Planters Cheezballs? Sometime we also awaken in cold sweats remembering the kids who wore The Crow makeup to school. Something Vanessa actually had in high school. Tim only saw about half a dozen people dress up as The Crow for every halloween until nineteen ninety nine.
If you hadn’t figured it out already, we’re talking about the comic turned movie, The Crow. Now it’s just starting to sound weird. The crow. tHE crOW. the crooow. Does that sound right to anyone else?
The bones of the plot carries over well from the comic to the movie. Bad guys randomly kill a guy and his girlfriend. The guy comes back from the dead one year later to wreak vengeance, his spirit carried back by a crow. Six months later he’s buying and selling land in the city while flipping tenements for profit.
The movie adds some very weird angles like implied incest and black magic. It’s not a bad movie but we doubt that it would have been fondly remembered if it hadn’t lead to the death of Brandon Lee during a stunt accident. We think both are equally worth reading and watching.
A full request episode lays ahead. This is what happens when people send us manga. We are obligated to review it even if our personal bias says there’s no way it could be good. We will do our best to give it as fair a shake as we possibly can. But it’s really, really hard to do considering that the following two are prominently bearing the Tokyo Pop label on the spine.
Tim reviews Totally Spies. It is just like any cartoon manga cash grab that was made around that time in that it’s just an episode cut and pasted into a comic. Probably using something like a pirated copy of Corel Publisher. It gets a Burn It for the low effort garbage it is.
Weltall then reviews Fairly Odd Parents. Spoiler alert, it gets a Burn It. Just like with Weltall’s last OEL comic, he was untainted by exposure to the property beforehand. Too many jokes that just don’t land along with established rules that seem to be pulled from nowhere but are probably better explained in the series itself.
In a departure from the usual review method, Tim watched an episode of the series his OEL was based on. Not the same episode which became the “cine manga” unfortunately. His opinion was that the reason these weren’t successful was the media being adapted. As many of the jokes within the cartoons are visual and rely on timing which isn’t predictable in comic form as it is in video.
Holiday movies suck rancid balls. That may be a controversial statement around here as we’re sure everyone reading gets quite a kick out of watching Lifetime crank out more Christmas movies than could be supported by an advent calendar that starts on Halloween. So what are you to do when people pester you what “holiday” movie you want to watch. The threat of such turds such as Jingle All the Way and The Santa Clause may make you grasp for the safety of irony and latch onto Die Hard. Continue reading Script 2 Script 17: Die Hard→
Time to put on your puffy winter vests and hop into your Deloreans as we go back into the eighties and theme the episode around movies that Billy Barty appears in. This time at Weltall’s prompting to look back at Legend(1985). In one of Tom Cruise’s earliest roles directed by Ridley Scott before he decided to butcher the Alien franchise in its crib. If nothing else it should be required viewing for Tim Curry’s performance as basically the devil stealing every second he’s on screen. Tim also adds that while the director’s cut is an excellent watch, you should give the Tangerine Dream score a listen on a streaming site for some exposure to eighties synth.
Tim then talks about Life Stinks(1991). It’s a Mel Brooks film which should put it in for a lock as a hilarious movie. Instead, Mel is attempting to make commentary about homelessness and land development. It’s confusing, lacking in jokes, and makes you long for the hilarity of Silent Movie. At least Billy Barty got a few bucks out of the deal.
Weltall’s contribution is Under the Rainbow(1981). Set around the time of the Wizard of Oz is being filmed, Barty plays a nazi who’s job is to collaborate with a Japanese agent before the bombing of Pearl Harbor. Does that sound so hilarious it should be the premise of a comedy movie? If so, please write us and let us know how much cocaine you’ve taken. Just so we can gauge exactly how much may have been passed around the conference table. We’re guessing the conversation when a little like this. “How’s ‘bout a movie with them little people?” “You mean workin’ folks?” “No, da short ones like in Wizard of Oz only if one of them was a nazi?” “fnurrrrrrrrrkkkk! Oh shit yeah! That was great!” “The coke or my idea?” “Both, man. Both.”
Fall is coming and the pumpkin spice must flow. Even so, nothing stops the flow of manga reviews. Unless it’s something like sickness, late nights working, or a projectile vomiting dog. Other than things of that nature, nothing will stop our manga vengance.
Tim reviews Souzai Saishuka no Isekai Ryokouki. What happens when a nearly useless salary man die of mundanity in Japan? Usually their family dies of collective shame at being so pathetic. Out hero is given a chance by a goofy god to go to another planet and straighten things out. Something the local deities haven’t been able to manage on their own(they must be the incestuous offspring of the Greek pantheon). It gets a Crackers for some humorous moments.
Weltall then tackles a request sent via snail mail, Power Puff Girls. We haven’t seen the likes of this such as Ben 10. Just like that, they simply take episodes and turn them into comics, replete with dialogue cut and pasted onto crappy backgrounds. It’s completely worthless and makes Weltall glad he never watches the series so it had nothing to taint. Even should you receive this as a gift ignite it and urinate on the ashes, lest your grandchildren be cursed.
We like to celebrate landmarks in our show sometimes. Especially considering how long it can take to get to any particular number as we alternate. So we decided to do a movie that neither of us have seen before but is infamously bad, widely mocked, and is often seen on a list of terrible super hero movies. We’ll give you a hint, it’s not from the nineties.
We did Catwoman together and just shortly after the anniversary of the release date. And hey, it’s the ninetieth episode which, when divided by ten, equals how many lives a cat is rumored to have. Nestled right in between the flaming wreckage that was the Shumacher Batman movies and just before the Nolan trillogy was canonized by the online critics we had a DC movie that belonged in neigher.
Halle Berry plays not Selina Kyle who works for an evil make up company. When she dies at the plant, for reasons that don’t make sense, a cat vomits up powers into her dead mouth. This gives her the power of a cat. Unfortunately, like any number of strays, she gets hit by a car and dies a nasty death alone at the side of the road.
Tim talks about The Equalizer 2. Which he saw in theaters for some reason having never seen the first. It sounds like a mess with tonal shifts that make unmedicated BPD look solid as a rock. One minute Denzel Washington a hard bitten veteran, the next he’s trying to talk some neighborhood kid out of joining a gang. Tim assures us it is a mess but a loveable mess that’s fun to watch at least once.
Weltall then discusses Absolutely Anything, staring Simon Pegg. It’s got a heavy involvement from the old Monty Python crew and has a number of well know British comedy talent. So it’s a shame they decided to remake The Sphere but as a comedy. Aliens give one human unlimited power to do whatever he says as a test of humanity. Ho hum. Was the fact Robin Williams was attached to this as the voice of the dog worth watching? Maybe in the background.
I think it may be time once more for a couple of manga. Handpicked by our inexpert staff who can barely manage to punch manga titles into the mighty oracle itself. At least they actually remember to prepare and be read by this episode. Instead of desperately attempting to catch up on the chapters required while the other mumbles their way through a review.
Tim has a request, The King’s Avatar. It’s a manhua where a man stumbles into a gaming cafe and takes over for the manager and demonstrates how awesome he is by making her win the match in a few minutes. It’s revealed he played pro in an MMO but, for reasons we have yet to see, was forced to give it up and leave. The interesting part is him trying to work his way back up while going over meta strategy of gaming. The dull part is seeing him “in the game” as his character which drops it to a Borders.
Weltall’s review, Ijousha no Ai, begins innocently enough when our main character is in elementary school receiving a confession. Elated, he offers to walk her home later. Shortly after, another girl confesses. Main finds her creepy and says he would but there’s this other girl see. So she goes off to kill the other girl. Main is still troubled seven years later when another girl becomes interested in him after he starts seeing his crazy stalker out of the corner of his eye. As with so many psychological slashers we review, it gets a Read It Now.
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