Anime Pulse

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We had a plan for this. Thanks to the kind of ineptitude which is the hallmark of the show, we completely failed to do the movie we set out for. So we had to settle on the Ben Affleck movie, The Accountant[2016].

Ben plays an accountant who’s on the high functioning part of the autism spectrum. A role that seems custom tailored to Affleck’s brand of acting. He makes his money getting called to audit accounts that are too complex for the average bear. Also, he’s trained like a special ops agent because he dad decided that he wasn’t going to let a learning disability block his aspirations of raising two contract killers.

Tim then talks about Jurassic World[2015]. Having held off on seeing it until well after the sequel has come and gone, he figured it was time. It’s more self referential than a modern comedy and hangs enough lampshades to stock a Pier 1. Half the cast is given the role of Malcolm from the original in that they trash talk science and the park for no explained reason. The monster was apparently give a copy of the script which informs it of exactly what to do in order to drive the plot. But audiences appeared to like Chris Pratt’s mugging and all the dinosaur scenes.

Weltall then talks about Sandy Wexler[2017], and Adam Sandler film. Being as it wasn’t the kind of movie which received an oil tanker load of sponsorships and was promoted by tie ins with Burger King, it’s not quite the usual garbage. He plays a Hollywood agent who’s personal success is hampered by his genuine good nature. This is put to the test when he ends up representing a talented singer. Weltall believe it’s worth seeing if only to show Adam we don’t hate him when he stops putting together the cast of his friends and taking them on vacation while calling it a movie.

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The horror genre is perhaps one of the genres that abuses concepts and settings more than academy bait movies. Which means writers and directors are desperate to come up with a bankable character or premise. This allows them to stand out and try to milk a franchise for a paycheck. Assuming it resonates in anyway with the audience.

So we have Candyman (1992). Which would make you think it has to do with an evil version of Willy Wonka that murders adults with confections. Instead it’s about an urban legend about a man who was murdered by having his hand cut off, then covered in honey and stung to death by bees. This somehow allows him to be summoned by saying candyman in the mirror. You can hear us completely butcher the plot, according to the live chat, more deep in the show.

Tim then talks about Maniac Cop 2(1990). It picks up where the first leaves off. Using some recycled footage of Bruce Campbell in order to avoid paying him his lofty salary of gas money to be replaced by someone who’d work for a credit. The titular maniac cop teams up with a serial killer and proceeds to murder more cops. He’s stopped by the mayor admitting the cop was set up and murdered in prison. With him laid to rest there’s a confusing stinger where the undead cop punches through his grave because the series hadn’t yet become unprofitable.

Weltall then talks about Skyscraper(2018). The movie that clickbait pricks did their best to try and stir up controversy because Dwayne Johnson has the audacity of playing an amputee without being an amputee. In the end, no one cared and the movie was nearly unnoticed. It’s about an advanced, computer controlled office building taken over by a terrorist organization. This turns out to be part of a plot to recoup insurance. Which is surely the easier option of recouping your money rather than just not investing it.