Month: July 2018

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We decided on doing something a little unorthodox for us. Instead of settling on a movie that Tim has to scour second hand or that Weltall has just happened to see we picked something in the theaters. And so we choose Upgrade[2018].

Or at least we would have jointly discussed it if Tim had bothered to go and see it. Sure he made some excuse about going on vacation in Tennessee as though they have yet to have received the gift of the motion picture in the south. It wasn’t helped by the fact that the movie was released on June 1st and has vanished from most theaters in just over two weeks. Apparently this movie is Hollywood’s awkward junior high phase and they want to bury it with all of those bad memories. A shame considering that it’s a much better movie than even the trailers make it out to be.

Michael Keaton has had quite an interesting career. Per request, Tim is talking about White Noise[2005]. It’s one of those films that takes a lesser known paranormal phenomenon and has no idea what to do with it. In it, the wife of Keaton dies and starts talking to him through EVP. This leads Keaton to finding a murderer who was also listening to the dead but they were telling him to kill for reasons that no one can even postulate.

Weltall then talks about Death Wish[2018]. One of the few newer movies that Tim has actually seen and was able to comment on. If only he was as prepared when it came to the movie we planned and agreed upon. It features a large measure of restraint from Eli Roth who didn’t turn it into an hour and a half of Bruce Willis practicing street surgery on those anyone within a mile radius of his wife’s death.

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Part of one of those things we normally do during the show is take note of what exactly we are reviewing. This is so we can later write up these incredibly professional descriptions. Which we write as the mighty alphabet company told us we didn’t have enough original content to deserve ads. We still don’t have ads but we’ve made this a habit and we’re not stopping now.

So when Tim falls asleep on the job, claiming something about working or some other excuse like the bitch he is, we’re stuck staring at an episode description the same blank expanse of a sheet of paper daring a writer to be creative. It will come down to Weltall then having to comb through the episode and gambling whether or not he can find the titles of what we talked about without having to listen to the entire episode.

Dual review Cashback[2006]

Tim Welcome to Mooseport[2004]

Weltall Last Knight[2015]

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Is it possible to make this show into a documentation of violations on cruel and unusual punishment? We don’t think so. What film could possibly be on the Hague convention of banned weapons? Oh look, another Uwe Boll movie.

Tim and Weltal discuss Postal[2007]. The edgiest of edgelord games from the early two thousands got a movie adaptation. This is impressive as there is basically no story in either of the games. This should allow Boll to do something interesting and adapt the loose elements into a story. But Boll is a German who has has been bred for efficiency rather than creativity. At least the guy who played Scut Farkus got a paycheck out of the whole thing.

Tim then talks about Overboard(1987). Or at least he talks about how a single hypothesis about the movie and the relationship between the main characters has spread like an infection across the internet. Being the inarticulate bastard he is this comes across as clear as mud. Which is par for the course around here.

Weltalls movie is Pierrepoint: The Last Hangman[2005]. A movie based on the true story of England’s last executioner. As hard as it is to believe, the jolly old land of tea and chavs used to execute the occasional twat who failed to pay their TV license. As with any film based on reality, a lot of details are fudged and dramatized to make a story.

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Looking over the movies we’ve talked about, we have apparently not done a musical. Though Weltall attempted to argue that we could count Spinal Tap. As such we watched Singin’ In The Rain(1952). It’s probably one of the best known movies about the transition from silent films to talkies. There’s a lot of very technically good dancing though some of the musical numbers feel tacked on. In spite of how we had a lot to mock within, we didn’t hate it. Don’t let that take away from the amusement of a robotic Gene Kelly knocking down walls as he is unable to process human imperfection.

Weltall then talks about the film. Dave Made a Maze[2017]. In it a guy named Dave makes a cardboard maze in his apartment that he gets lost in. As such a camera crew and friends go in to rescue him from the maze. It’s reminiscent of Labyrinth in the layout and the childlike atmosphere of cardboard monsters and sets. The lower budget definitely shows at times but well worth a single watch through.

Tim then talks about Cloak and Dagger(1985). Which he describes as one of two films in which Dabney Coleman doesn’t play the antagonist. He plays both the father and the secret agent imaginary friend to the kid from ET. ET kid stumbles into a world of espionage when he gets handed an Atari cartridge that has secret government plans on it, the titular Cloak and Dagger. So it almost serves as a commercial for a game that never quite got released due to the fact that the video game market crashed before the movie came out.