Category: Popcorn Pulse

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Part of one of those things we normally do during the show is take note of what exactly we are reviewing. This is so we can later write up these incredibly professional descriptions. Which we write as the mighty alphabet company told us we didn’t have enough original content to deserve ads. We still don’t have ads but we’ve made this a habit and we’re not stopping now.

So when Tim falls asleep on the job, claiming something about working or some other excuse like the bitch he is, we’re stuck staring at an episode description the same blank expanse of a sheet of paper daring a writer to be creative. It will come down to Weltall then having to comb through the episode and gambling whether or not he can find the titles of what we talked about without having to listen to the entire episode.

Dual review Cashback[2006]

Tim Welcome to Mooseport[2004]

Weltall Last Knight[2015]

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Is it possible to make this show into a documentation of violations on cruel and unusual punishment? We don’t think so. What film could possibly be on the Hague convention of banned weapons? Oh look, another Uwe Boll movie.

Tim and Weltal discuss Postal[2007]. The edgiest of edgelord games from the early two thousands got a movie adaptation. This is impressive as there is basically no story in either of the games. This should allow Boll to do something interesting and adapt the loose elements into a story. But Boll is a German who has has been bred for efficiency rather than creativity. At least the guy who played Scut Farkus got a paycheck out of the whole thing.

Tim then talks about Overboard(1987). Or at least he talks about how a single hypothesis about the movie and the relationship between the main characters has spread like an infection across the internet. Being the inarticulate bastard he is this comes across as clear as mud. Which is par for the course around here.

Weltalls movie is Pierrepoint: The Last Hangman[2005]. A movie based on the true story of England’s last executioner. As hard as it is to believe, the jolly old land of tea and chavs used to execute the occasional twat who failed to pay their TV license. As with any film based on reality, a lot of details are fudged and dramatized to make a story.

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Looking over the movies we’ve talked about, we have apparently not done a musical. Though Weltall attempted to argue that we could count Spinal Tap. As such we watched Singin’ In The Rain(1952). It’s probably one of the best known movies about the transition from silent films to talkies. There’s a lot of very technically good dancing though some of the musical numbers feel tacked on. In spite of how we had a lot to mock within, we didn’t hate it. Don’t let that take away from the amusement of a robotic Gene Kelly knocking down walls as he is unable to process human imperfection.

Weltall then talks about the film. Dave Made a Maze[2017]. In it a guy named Dave makes a cardboard maze in his apartment that he gets lost in. As such a camera crew and friends go in to rescue him from the maze. It’s reminiscent of Labyrinth in the layout and the childlike atmosphere of cardboard monsters and sets. The lower budget definitely shows at times but well worth a single watch through.

Tim then talks about Cloak and Dagger(1985). Which he describes as one of two films in which Dabney Coleman doesn’t play the antagonist. He plays both the father and the secret agent imaginary friend to the kid from ET. ET kid stumbles into a world of espionage when he gets handed an Atari cartridge that has secret government plans on it, the titular Cloak and Dagger. So it almost serves as a commercial for a game that never quite got released due to the fact that the video game market crashed before the movie came out.

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It’s easy to forget now, in the age where decent and just below average video game adaptations are the norm, what the early two thousands were like. If you saw an advertisement for a video game movie back then, chances were it was a fecal pate served on a cat turd cracker by none other than Uwe Boll. Continue reading “Popcorn Pulse 84: Nightly Rampages”

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Did you know we’ve had a standing request for a movie since before the beginning of Popcorn Pulse? Of course we’ve been so lazy we mostly do things that are within easy reach or recently watched. It’s not like we review most everything out of convenience rather than for content. Which is why we’ve talked about so many Youtube channels, surely. Continue reading “Popcorn Pulse 83: Cobbled Theif”

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All hail the great leader, Timothy Dalton. For whom the skies part and sunshine bursts forth when he awakens. Without him, the crops would be dry and corn blight would ruin the potatoes. Thanks be to him for holding back the great western decadence from infecting our proud culture. Keep laughing lord Dalton so that the world will continue to turn. Continue reading “Popcorn Pulse 82: I Beast”

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Dan. Dan? Dan! If you were unfortunate enough to have grown up in the nineties you probably heard a shrill harpy cry that out to in deafening peals to cast and audience alike. It was his stalwart resistance to the sonic assault that earned John, then without surname, his moniker of Goodman. Once he sealed the demon back in the oubliette, he was free to pursue an acting career. Of which we have two particular gems. Continue reading “Popcorn Pulse 81: John Goodman”

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Let’s imagine you’ve made a multi million dollar film sponsored by a major car manufacture with a goofy family friendly premise and creature? You’ve got some solid character actors, a serviceable plot and no plans to make it into a franchise like so many other studios are doing these days? Do you release it early in the spring and hope to beat the tent pole events for a little extra cash? Or do you sit on it for a year and then release it with as much marketing as a wet fart in a sewer? Continue reading “Popcorn Pulse 80: Monster Trucks”

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It’s time for one of our theme episodes again. This time we’ve latched onto Gerrard Butler and his hilarious filmography. Starting with a dual discussion London Has Fallen. The movie takes place a year after the last one and Butler’s character is thinking of retiring. When the London PM dies, all world leaders convene for the funeral which turns out to be a trap. Butler must escort president Ekhart though London while stabbing everyone within arms reach like Roberto give a freshly honed shiv. Continue reading “Popcorn Pulse 79: Scotsman has Fallen”

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If there’s one thing that needed to be made, it was a sequel to Highlander. Unfortunately what we got was The Quickening. Much as the only way to get the bad taste of a chocolate out of your mouth is to eat seven more, so did we get inundated with sequels.

We visit with the fifth of them in, Highlander The Source[2007] under the hypothesis that the even numbered ones will always be garbage. While this is probably true, the odd numbered ones are just as incoherent. Featuring random blob immortals, the guy who played Duncan McCloud and a host of plotless destiny mumbly jumbly.

Weltall then talks about Hell or High Water[2016]. A movie in which the aptly named Chris Pine woodenly pretend to be bothered by the fact that the family ranch is going to be taken over by the bank. Sure he’s playing opposite Ben Foster but Pine manages to resemble a piece of furniture that it turns into Clint Eastwood having a conversation with an empty chair. So they rob banks to pay for the land, somehow.

Tim then talks about What We Do in the Shadows[2014]. In it, vampires are real and being filmed by a documentary crew for some reason, as it goes in these style of films. The group ends up getting dragged into the twenty first century by the friend of their newest member who installs the internet for them. Along the journey to modernization they meet werewolves, zombies and revenants. There’s really not much to say about other than it expertly performs as a mockumentary.