Category: Popcorn Pulse

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Watching people through their windows turns out to be the perfect recipe, for murder! Or, at least it becomes the recipe for disaster in what Tim and Weltall will agree is probably the second best thing Dane Cook has ever been in, Waiting being number one. If you needed more hints, it stars Kevin Costner as he was attempting to wean himself off of the Oscar withdrawals, Mr Brooks [2007].

In it, Costner plays a serial killer who does it because he feels compelled to do so. Being as he’s the protagonist and a murderer, Hollywood can either make him snarky or filled with regret. While Kevin may have known he wasn’t aiming for an award he still wasn’t about to be a wise cracking stab dealer so morose and upset murder machine he is. It also has way too much time spent and focused on Demi Moore’s character.

Weltall then talks about Jinn. Yes, he wants to discuss Shaquille O’neal’s transformation in Kazaam as he ascends from genie to jinn by being wished free by a poorly supervised child. Or he might want to discuss the film Jinn [2014] because he’s quite the fan of middle eastern mythology. At the very least, it pays a few nods to the mythos you could quickly find out via a Google search.

Tim then talks about Vanilla Sky [2001]. Tom Cruise plays a man who ends up down on his luck due to a crazy blonde woman and ends up wearing a mask. So it’s like a more serious take on the Jim Carey vehicle, if you discount the transformation. Though it’s totally worth it to see Tom running around, screaming for tech support a the top of his lungs.

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Don’t make me write an excerpt, you wouldn’t like me when I type. How many reviews, do you imagine, began with some variation of “wouldn’t like me when I’m angry” when the original Hulk film was released? I’m sure a quick search could give us an estimate but no one wants to go back and read warmed over reviews for a bad movie.

Which is why we decided to watch and jointly discuss the Ang Lee Hulk[2003]. Tim had only ever seen the Edward Norton Hulk while Wetall has only seen Eric Bana. Only one of those was rectified for this show. We talk about the Hulk Dogs, Nick Nolte and pitch a possible theory as to why it doesn’t work as a whole.

Weltall then talks about Skin Trade[2014]. It features Tony Jaa and Dolph Lundgren, whose name Wetall likes to mangle for fun and profit. They’re both combating the titular skin trade, prostitute slaves, being run by the slab man himself, Ron Perlman. There’s a bit of a Taken thing going on with Lungren’s daughter who doesn’t get found by the time the credit appear. So it’s a very cheerful film, is what we’re saying.

Tim drags up the ancient and decaying Bones[2001]. It features Snopp Dogg, who can’t act, terrorizing people who killed him. Or rather, that’s the summary of the synopsis on the cover. The movie has no idea what it wants to be, constantly loses focus and drops in plot points wherever convenient. It is a train wreck that occurs in slow motion over the running time and invites unfavorable comparisons to other horror franchises by leaning on their tropes. Which all makes it hilarious.

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Someone must have spiked our drink with the waters of forgetfullnes. We spend an inordinate time attempting to figure out which episode number we’re on. It might be the result of a contact high from all the April celebrations here in Colorado or we’re stupid. Really, whichever of those fits your preferred narrative is perfectly fine.

Our joint discussion centers on the wonderfully campy Sundown – The Vampire in Retreat(1989). Going by the DVD cover, and IMDB poster, you might think it stars Bruce Campbell and David Carradine. This is a disservice to all the macho posturing done by the world’s most disappointed dad and his college rival, who may or may not have knocked up dad’s wife. Also, cowboy showdown between vampires.

Weltall then talks about The Protector[2005] and The Protector[2013]. Not to be confused with the half other dozen movies and single TV series that bear the same name. We stumbled on the tabline reshow, Taken but with elephants, and that’s what we’re sticking with. Feel free to imagine Liam Neeson speaking Thai and kicking ass across Australia.

Tim then digs up another vampire film, in keeping with the them. Near Dark(1987). If the very fact that it has both Lance Henriksen and Bill Paxton isn’t enough to get you to watch it then you’ve clearly spent far too little of your life watching Aliens. Also, no one in the movie stops and gapes when they realize there are vampires around them. They don’t say vampire specifically but it’s clear they haven’t traded their brains for some magic beans.

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While passing through a nice but still shady neighborhood, Tim and Weltall stumbled upon a Waxwork. “Gee, that’s a strange place to put a waxwork” said absolutely no one born after the Roaring Twenties. But that’s an actual line from the movie Waxwork(1988). It stars people playing college students who act like they’re in high school and look like they’re dreading their kids piano recital.

If that wasn’t enough to get you excited, Waxwork has cameos from actual famous people. John Rhys-Davies shows up just long enough to transform into a werewolf before collecting his rent check. David Warner wears a Wonka-esque costume for half of the ten minutes he appears. You can also see Miles O’Keefe, of Hercules fame featured on MST3K, recite lines like someone glued his dentures together during makeup.

Weltall then discusses The Girlfriend Experience[2009]. It stars a former pornstar Sasha Grey. She plays a prostitute who has a boyfriend. There was a budget for the film and has other actors in things called “scenes” which were then edited together in a sequence. Some people watched this in theaters but not enough to cover the costs.

Tim then talks about Sneakers(1992). It features Dan Akroyd going bugnuts insane for minutes at a time in his small parts. Meanwhile, Robert Redford is trying to steal a magic cryptobox which can haxxors nineties computers easily. Redford ends up giving it to the wrong people and steals it back so he can give it to the NSA who, oddly enough, aren’t playing the villains.

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Like a slinky pitched over the side of a building, the joint discussion of the week revolves around Fallen (1998). In it, Denzel Washington plays a cop who’s yet to be too old for this shit. He ends up being haunted by a demon who can pass along to someone new with a pat on the shoulder. It ends up inside mister Rogers after he stops to comfort James Gandolfini for being in Get Shorty. This allows Rogers to terrorize a small Midwestern town until he’s hunted down by Werner Von Van Helsing.

Tim then decides to trot out a film that’s aged worse than the Mona Lisa inside of a compost pile in Louisiana, Dr Strange(1978). It features a man for whom no is merely a suggestion and mustache wax gets itemized on his taxes. He plays a psychiatrist who finds out he will now have literal magic hands which he uses to battle Morgan La Fay for custody of Merlin’s bones. Also, the sorcerer supreme has the Jedi mind trick in his bag which he uses no less than three times.

Weltall discusses Brother(2000). It’s about a man named after the honorific for big brother who doesn’t turn out to rule Eastasia. He drops out of the Yakuza and moves to L.A. to find himself. Upon arrival, they go to a wedding, get completely wasted and wake with no memory of the previous night. This culminates with a wild seventeen minute car chase on the highway which ends with Keanu Reeves punching a speeding bus at him.

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Cyberpunk doesn’t crop up in films these days. During the nineties though, they were as numerous as the Buffalo on the US. Death Machine (1994) is one of these corpses, stuffed and mounted for generations to gawk and poke at.

It stars Wormtongue, an actress from Lawnmower Man 2: Death of the Franchise, two guys with bit parts from the Fifth Element, the brother who dies first in Die Hard and Commander Porkins. Wormtongue unleashes the titular Death Machine when he gets fired by the CEO while demanding his job back. The only solution they come up with is to stuff a random terrorist into a cyborg suit and make him fight the killer alien robot. Continue reading “Popcorn Pulse 31: Wormtongue”

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This episode does not feature, for once, an eighties semi-obscure sci-fi movie featuring a celebrity slumming for a paycheck. For a change of pace, it features a semi-obscure sci-fi flick from this decade instead. Safety Not Guaranteed [2012], a movie that’s based on a meme which is, in internet years, fossilized and hung up in museums. Let us explain why they butchered the movie with the ending. Continue reading “Popcorn Pulse 30: Safe Below”

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Confusion and distraction run amok in this episode as Tim and Weltall do their best to talk about late nineties classic, Dante’s Peak(1996). In it, James Bond loses a girlfriend to a volcano and then declares war on lava spewing mountains. After killing a number of gelatinous talk show hosts, he takes a vacation in the state of Washington where he hopes to wait out the years until legalization.

However, being a vulcanologist, Bond has spent many a days and nights blaspheming the ancient Greek god. Angered by Bond’s hubris, he throws a hammer at a nearby mountain, causing it to turn into an active volcano. Bond must then save Sarah Connor, two whiny kids and a dog before they become part of the future exhibit, Pompei 2 the revengance. Continue reading “Popcorn Pulse 29: Singlecorn End”

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Chance can be a fickle master at the best of times and often leaves you when you need it most. And so it was for Wetall when Tim got to choose the movie for the joint review this episode. Tim picked the original Assault on Precinct 13(1976) by John Carpenter.

Tim likes it for the atmosphere being an action film shot in the style of a horror movie. Weltall was frustrated by the incredibly slow pacing at the beginning and the seemingly senseless direction. Though we both agreed some of the lines were hilarious, unintentionally, and the titular assault was fun. Continue reading “Popcorn Pulse 28: Assault on Time”

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There was a time in the nineties when Steven Segal’s agent would actually call him back. This was around the same time he actually fit into suits and didn’t look ridiculous squinting angrily at anyone who dared put their fists in his personal space. It was the nineties and it was a heady time for all of us.

Then the millennium came and went and we discovered he wasn’t all that cool. Hollywood still hadn’t gotten the memo so they stuff Segal into a uniform and a movie, paired him with DMX and called it a day. Which is how we ended up with Exit Wounds, a movie which was based on a book that everyone decided to ignore and, instead, created a generic story featuring corrupt cops and drugs. Also Tom Arnold and Anthony Anderson are in it as comic relief. Consider yourself warned. Continue reading “Popcorn Pulse 27: What Wound”